Ancestor [1/4]
2017
Volcanic sand, SLS nylon, aluminium, silicone, marble, water, plexiglass, bronze, gold, acrilyc paint, ultrasonic nebulizer, fossil fuel, wood. 200×200×70cm (78×78×27in)

The Ancestors are four anthropomorphic sculptures that resemble a fusion of exoskeletons and lymphatic systems. In a ritualistic exploration of life and death, they enact the tribal practice of building and sustaining a smoke-based "bridge" between the realms. Clads in volcanic sand and afloat on a marble square, set within a larger square of water, the sculptures exude a mist propelled by an ultrasonic nebulizer containing traces of fossil fuel. The mist creates an ethereal aura that blurs the boundaries between solid form and vaporous essence, while its fossil fuel composition creates - trough breath- an organic cellular connection with the public, physically linking them with ancient geological processes. This interplay suggests a transient state of existence, where matter is in constant flux, echoing themes of transformation and impermanence. The gold ceremonial jewels adorning the reproductive organs symbolize fertility and continuity amidst decay, hinting at cycles of rebirth inherent in funerary traditions. By juxtaposing elements like marble, a symbol of permanence in Christian funerary tradition, with water, a symbol of fluidity in Hindu funerary traditions, these works invite viewers to contemplate the dualities that define human existence—solid yet ephemeral, ancient yet ever-evolving.

The Ancestors series is part of a larger body of work titled Family reunion, which also includes the Descendants and the Living. The trilogy references a circular form of time in which those who have passed away, those who are alive, and those who will be born meet.